OK, show of hands: who laughed at the
“Meereenese knot” reference? Congratulations, you officially spend way too much
time on the internet. In other news, this episode introduced a whole lot of
comedy, and some of it even breaking the fourth wall quite openly (besides the
Meereenese knot there was also a werewolf reference), with the most point for
the WTF-factor going to Podrick Payne being a sex-god and tutoring Tyrion and
Bronn. They are quite good with that, cutting back and forth between jokes and
comedy to really serious, tragic or terrible stuff in the blink of an eye.
Cases in point: Lord Hoster’s funeral, where Edmure was tragic, ludicrous and
sad. The Game of Chairs Tyrion and Cersei perform just to get back to business
instantly. And so forth.
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We need details! |
But let’s try to do this in the usual way,
looking at the various plot points. North of the Wall, Jon and Mance Rayder arrive
on the Fist of the First Men, where they find the remains of horses, artfully
arranged by the Others, but no dead crows like Orell said. They’re all wights
now, obviously. I really liked the idea of the Others arranging the dead
artfully, just because they can. We saw this with the head-in-hands in the
opening of the first episode already, and it certainly distinguishes the Others
from the usual monsters you get to see and creates some direly needed sense
that they are not the Walking Dead but a real danger. Mance then conveniently
sends every wildling we know on the same mission with Jon. There’s nothing
wrong with Hinds’ performance here, but the scenes beyond the Wall still leave
me something cold. Perhaps it’ll be better once the merry band of wildlings
gets over the Wall and Jon finally gets something to do.
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Always the artists |
The Night’s Watch arrives at Craster’s Keep
again, where – keeping in with the fine tradition of picking up threads that
were left behind – Gilly gets her child. Craster get’s a really quick reintroduction
as the worst person you can find beyond the Wall, repeating everything we need
to know. Don’t touch the women, check. I have no food for you but for the pigs,
check. I don’t like you all, check. I offer my sons to the Others, check.
Please kill me already and start a bloody slaughter, check. Also, prepare the
curtains for Rast, who obviously takes on the role of Chett here, and the Lord
Commander. I miss you already, old man.
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Corn! |
Now, Theon. The friendly little helper makes
good on his promise to bring him to “Yara”. Theon’s really desperate to believe
this pile of horseshit, but here we go. They had me scratching my head when the
mysterious and conveniently unnamed savior shot Theon’s captors, but my initial
assumption that this is Ramsay Bolton got confirmed for me when the also
unnamed torturer died cursing the “savior” as “bloody bastard”. Oh, how he
hates to be called that. I was stunned at how much budget they put in this
scene, knowing how expensive everything involving horses is. It was beautifully
shot, though, and got a real sense of despairing urgency. You just knew Theon
wouldn’t make it, and his pursuers had just the right air of monstrosity around
them. Well done there, D&D.
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It's a trap! |
A bit farther south, Robb Stark has finally
arrived in Riverrun. It was a nice treat to see the castle in the opening
credits. Again, show of hands: who does watch if they changed something every
time as well? I sure as hell do. I really like this element of the credits,
although it’s a poor exchange for the apparent lack of sense of distance in the
series. Well, can’t be helped. We get introduced to the Blackfish and Edmure,
Robb’s uncle and Catelyn’s brother. They have little time, so they get only the
sketchiest of characterizations: Blackfish is the personification of a badass,
just like he is in the books, but a tad more passive aggressive (I was a little
bit disgusted by his shoving aside Edmure so contemptuous, even worse than in
the books), and Edmure is just a failure. But Clive Russel and Tobias Menzies really
play their parts and use the source material to lay some groundwork for more
depth to come.
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Sigh, poor Edmure. |
We also get two other characters, the young
Lannister boys (Martyn and someone else, forgot the name. Dennys?) who were
caught by Edmure in the useless battle of the Stone Mill. Like everything, the
battle was much more important in the books, but the essence is still the same:
Robb wanted to lure the enemy west (only Gregor in the show) and get him there,
but Edmure wanted the glory and fucked it up. I can only repeat the point I
made so often already: Robb and the Blackfish are at fault. If they want Edmure
to lure someone, they should tell him. Unfortunately for this specific point,
the show gives the blame to Edmure because he skipped the decisive meeting, to
show he’s an idiot. I can’t help myself to loathe this change for no other
reason than being a helpless Edmure groupie. It’s not at all inferior to the
books (almost nothing in the series is, it’s different), but here, my fanboy’s
heart yearns.
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Totally not Jeyne. |
And still Riverrun. Catelyn gets yet another
strong monologue enforcing her personality (gee, I wonder why they show her
traits so prominently, snigger snigger) and giving us the great “wait for me,
Cat” moment, while Talisa is allowed to once again patch up Lannisters, in this
case the two prisoners. It’s heartbreaking to know that they don’t have long to
live. I’d say episode six or seven, but the bets are on. Talisa leaves me cold
in this scene, don’t know why. I know it’s meant to be funny, werewolves and
all, but it simply wasn’t for me. Perhaps because I already know how it will
end? Don’t know.
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Being on her home turf improves her performance yet a bit more. |
Let’s leave Riverrun, but stay in the
Riverlands, because Arya! She departs from Hot Pie, who stays in the inn
(unfortunate because he played along nicely with Gendry and Arya, but realistic
and coherent) and tries to confront the Hound about Mica, but the scene was
strangely muffled. Arya asked the Hound whether he remembered the Inn, but he
declined, and instead of accusing him, she just watched the outlaws having fun
with him between the gay jokes. I guess they want to save that reveal for
Berric, but it took a lot of impact from the scene for me. The departure from
Hot Pie with his wolf pie was heartbreaking, though.
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Not much to do, huh? |
Leaving Arya and still remaining in the
Riverlands (see a pattern there?), we get to Jaime. He’s tied to Brienne on a
horse, still playfully bantering with her until he casually mentions that she
will be raped, reminding us just what kind of a person Jaime is. When they get
into camp later, book readers will lose any shred of doubt that Locke is the
new Vargo Hoat when he tries to rape Brienne, until Jaime, after some real
contemplating (that ass) interferes and tells a stupid story about sapphires.
For non-book-readers: yeah, Tarth is called the sapphire island…because the
waters are so nicely blue. Tarth is a worthless pile of rocks. But anyway,
Jaime tries to play Locke for a fool promising him riches for releasing him,
and Locke plays along, until he doesn’t. The scene in which he puts Jaime on
the block is so intense, and it takes away from Jaime what gives him the most
power: his name and family, because Locke clearly doesn’t give a fuck. And then
he takes away what makes Jaime what he is: his hand. This scene really nailed
it. Man, the look Jaime gave it, blank disbelief transforming into pure terror
was such a strong note to end the episode with, and it worked just so well! I’d
say it beats the book by a longshot in that regard.
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Sucks to be you, Jaime. |
In King’s Landing, Tyrion is playing
power-plays with his sister, and he’s losing. Littlefinger, departing to the
Vale “as soon as possible” (yeah, right, believe that, Tywin), leave his post
to Tyrion, who clearly sees it as an insult by his father. He then takes the
account books from Littlefinger, who tells him – in so many words – that he
made all that’s in them up from thin air. For some reason, Tyrion makes the
same mistake as Eddard Stark did and dismisses the comment as idle banter where
it really isn’t. Before we can go into the books, however, we get Podrick for
his first time, sponsored by Tyrion. The infamous Meereenese knot reference
falls, and Pod is positively overwhelmed. I liked how Tyrion thanked him for
everything he owed him, because in the books, he never stops abusing poor
Podrick. This makes him more sympathetic. We then get back to the dull books,
and Tyrion explains Westerosi finance for us, taking great pains into
explaining that the Iron Bank isn’t to be messed with. Will we see them earlier
than in the books? I would be glad if we did, because they’re a cool
institution to have. And then, the big WTF with Podrick the sex-god. Love it or
hate it. I laughed my ass off.
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I need details. |
Let’s end this review with Danaerys. She gets a
rather long walk-and-talk with Ser Jorah and Ser Barristan along the Walk of
Punishment, a long street where slaves are crucified to die horribly in the sun
for offenses not so bad as lying (we never get explicitly told which ones) and
only want to die. For all the gruesomeness of the scene, it doesn’t come near
the descriptions in the books, and I’m happy for it. The dialogue between them
does a nice job in reinforcing the characters of Jorah and Barristan and their
respective world views, even finding place for the infamous “Rhaegar fought
valiantly”-line, and Dany made a real good figure walking in front of them,
never looking back while asking pointed questions. She gets the hang of being
queen. In a rather short scene with Kraznys, she wants to buy all the slaves
for one dragon. Again, her looking regal is done very well, and the demand for
Missandei came in forceful, too. That will get a huge payoff for episode four,
wait for it.
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WHERE ARE MY UNSULLIED? |
And with that, we end the episode.
No Margaery, Joffrey or Sansa this time around. I think it’s good they
concentrate on some plotlines and leave others out, only to bring them back
later. It helps the pacing. See you next week!
Nice recap.
ReplyDeleteAnd I agree fully when it comes to Edmure.
I've loved him ever since Catelyn asked why all the people are at Riverrun and he just says: “My people. They were afraid.”