I see what you did there, Game of Thrones.
Calling an episode “The climb” in which Jon climbs the Wall, but in truth
referring to something else. Heh. Clever. Ok, that sounded very sarcastic, and
I don’t really know why I said it because I damn loved the episode. It was as
well a climb as it was laying real groundwork, much of it aimed at future
seasons. Consequence, consequence, consequence. I love these writers.
Let’s start north of the Wall, which will be
the last north of the Wall we’ll see for quite a while since they’re now south
of the wall, which sounds dumb writing it. The climb up the Wall was taken into
several parts and splitted over the episode, which made it into a more colossal
and epic undertaking, which is a pretty smart move. And boy, was it well
staged! The sheer height, the strain, the danger, all was in it, and when the
ice cracked and the Wall shoved some of the climbers off – my hands were wet
from vertigo. The setup also was quite nice, with Ygritte providing some much
needed context for her relationship with Jon and even improving the character
from the books in the process, where her motivations (“wildling to a bone” was
as far as it went) were not exactly as complex. Jon also got a moment of
genuine heroism, which improves him at a crucial point in the narrative.
Tormund Giantsbane still fell a bit flat, although his line about not screaming
if you fall so you’re remembered brave was sufficiently badass. The episode
ended with Ygritte and Jon finally arriving at the top of the Wall together,
their fates locked and intertwined, and a beautiful composition of the snowy,
white lands to the north of the Wall and green lands south. I found the idea
that immediately to the south the lands start to become green a very good one
to provide a metaphoric image to the whole “battle of life vs. death” thing
that goes on as constant subtext for the story. On a sidenote, the CGI was
somewhat off; the actors were clearly standing before greenscreen and the
landscape inserted later (or the other way around).
Romance on the Wall |
Just south of the Wall, we get a quick glimpse
of Bran that mostly serves the purpose to remind us that he’s still around and,
eh, not quite kicking, but alive at least. The pissing contest between Meera
and Osha was very nice and creates an interesting dynamic that never makes me
regret that Osha is still with them (and Rickon too, I totally forgot about the
little boy before he suddenly spoke up). I also liked the gender reversal in
the scene; normally you get such banter between male characters, and a woman is
annoyed. In this case, however, skinning rabbits was done by women, and Osha
had the longest. Great stuff. I also liked that Jojen experiences epileptic
shocks in his visions, which make them a more serious affair in some way. I
can’t wait for them to actually revel a bit in the mysteries of the show. If
Meera doesn’t talk about the Knight of the Laughing Tree, I shall be very cross
with the creators.
This week, we’re also back with totally-not-Ramsay, who
tortures Theon in a really, really bad way. They captured what is only hinted
at in the books and made really engaging (although certainly not enjoyable)
television out of it. The guessing game was really bad, and it’s likely that
Theon will snap pretty soon. He so eagerly grasped the explanation of Ramsay
being a Karstark and that he is tortured for betraying Robb where it was clear
that this couldn’t be all that I doubt that he’ll be on his game again anytime
soon. I guess Ramsay will soon become a new hate character for the fandom – or
else, a source of shivering admiration of poor evilness.
Speaking of it, let’s talk about the father of
the creature, Roose, who is currently holding Jaime and Brienne. He’s
reinforcing what we know of him as a sadistic creature by providing Jaime with
knife and fork to cut the meat, a task Jaime clearly can’t undertake, and
smiles oh so thinly at the vain attempts to do so. It’s nice to see how Bolton
walks a very thin but sharply defined line between delivering Jaime to King’s
Landing, thereby securing himself a royal pardon and making sure that Jaime
doesn’t make him responsible for his hand loss on the one hand (no pun
intended), while on the other hand (still no pun intended) he clearly shows
Jaime the limits of his power and reputation by reminding him of Locke’s
lesson. This comes as a shock to Jaime, who clearly has to see that Bolton
doesn’t fear him. He fears Tywin, but not him. As a sidenote, Brienne’s look
when Jaime demanded her to go with him was very well played out. Brienne’s in
for some rough times, that’s for sure. She wasn’t given a pink gown by chance.
Bolton doesn’t leave things like that to chance.
Meanwhile, Robb treats with two emissaries from
the Twins. I’m sure they’re both named Walder, but we aren’t given any names.
The discussion is pretty awkward, with the two of them being insolent to a
fault and Robb swallowing all their shit because he has no choice at all. They
want Harrenhal (who doesn’t, really?), a direct apology and Edmure. Quite
understandably, Edmure isn’t as quick in getting his life ruined for his stupid
uncle as the others are, and the Stone Mill wasn’t exactly a big enough blunder
to legitimate the treatment he gets (in the books, the battle is bigger in
scale, and it’s still not Edmure’s fault but Robb’s, again). I seriously like
to see someone smack the Blackfish over the mouth, because the motherfucker
doesn’t have any right to talk like this to Edmure. And I’m not saying this
because Edmure’s his liege lord, technically, but because the Blackfish was
wroth with his brother, the lord of Riverrun, because he never accepted a wife.
He refused it all his life, because he didn’t wanted to, so he has no right at
all to force it like this on Edmure, and I seriously with Edmure would grow a
pair and call him on this bullshit. I hope we will get something of a payback
when Edmure comes into his own as lord of Riverrun.
From there, we get to the last Riverlands plot,
Arya. I guessed it right with Melisandre taking Gendry, which is a rather huge
departure from the books, but one that is working way better than “Edric
Storm”. There were several really interesting things in this scene that need to
be analyzed one by one. First, we have Arya meeting Melisandre. Melisandre
essentially plays the role of the Ghost of High Heart (if anyone got hopes we
still see her: pretty much no), acknowledging Arya for the ticking time-bomb
she is. The line about meeting again is also ominous, I’m VERY interested in
seeing where that’ll take us. Should you be a non-reader of the books:
Melisandre never goes to the Brotherhood, so this whole plot it totally new
even to readers, and there’s no way of knowing where it leads us (although I’m
fairly certain Gendry will fulfill Edric’s role). Second, we have a really good
characterization of Thoros as opposed to Melisandre; here the wine-ridden sot
who can barely speak a proper prayer, there the religious zealot. And it’s the
whine-ridden sot who can bring people to live, dear Melisandre, and not you.
You made note of that, no doubt, but I’ll guess you draw pretty wrong
conclusions from it. Third, Thoros and Berric really badly sell out poor
Gendry. No brotherhood romantic here. Really heart wrenching scene, especially
after his bonding with Anguy. Fourth, not only do Melisandre and Thoros both
speak High Valyrian, but they also greet each other with “Valar Morghulis” and
“Valar Dohaeris”, which might interest book readers very much, because it
leaves only two possible explanations: either the phrases are universal for the
east in the series, or they merged R’hollor with the God of Many Faces and his
cult, essentially tying Braavos to him. This will also be very interesting in
the future.
We get no Stannis this week, but I was reminded
by my readers that I forgot him last week, so here he comes. His depiction is
really improved in comparison to season 2, especially in his interaction with
wife and child. Selyse is just plainly nuts, much more than in the books. She’s
become a zealot in a way that can’t be healthy, and she’s keeping the stillborn
sons of Stannis’ in jars! Man, this is so sick, and it turns the whole
character around and in really unsettling territory. This is further reinforced
by Shireen, whose greyscale makeup is great, and whose singing Patchface’s song
(which I take as a meaning that the fool won’t appear in the show neither).
This makes her pretty ominous, and Stannis is keeping her in a cell, for
christsakes! That the child is as mentally stable as she appears is close to a
miracle, and I really liked her interaction with Davos, who was brought back
into the story.
With that, off to King’s Landing. We get our
first one-on-one between Olenna and Tywin (she’s making the rounds, isn’t she?),
and the first time, she loses. Without her knowing that the plot with Sansa
isn’t working, Tywin forces Cercei on Loras, who, surprisingly for bookreaders,
is not only officially confirmed as only heir to Highgarden, which makes his
being gay all the more problematic for the Tyrells, but who is also threatened
by Twin to be commanded in the kingsguard if Olenna doesn’t accept. It’s an
interesting mirroring of the Blackfish in Riverrun: Tywin of all people, who
lost his favorite son and presumed heir in that way, uses the exact same device
as leverage. They are alike, these guys. Despicable.
Then we go off to Tyrion and Cersei, who solve
the mystery of who ordered Ser Mandon Moore to kill Tyrion: it was Joffrey. In
the bookreading community, it has always been a mystery who really did it, but
seeing the show version, I say: of course. The remark that any clever person
would have simply poisoned Tyrion is hitting the mark. Cersei wouldn’t have
ordered Ser Mandon, she’s too clever for that. I’ll accept this as canon from
now on. We also get really great acting by both Lena Heady and Peter Dinklage
in all their emotions in this scene, so much stuff unsaid and unspoken. Tyrion
would now remind me that the two are the same.
And with that, to the real heart of the
episode: Littlefinger finally coming into his own. Much criticism was hurled at
the show for depicting Littlefinger as the strangely muted, almost clumsy
conspirator, but in this episode, Aiden Gillen really nailed him. His encounter
with Varys already was putting away the veil. Note just how he started his
revelation. It was purpose; he wanted Varys to know (and, by the way, great
line with the “Lysa Arryn of chairs”). And then his ugly grin when he talked
about chaos: that is Littlefinger. He’s a psychopath little shit, and he
doesn’t care for anyone. There’s a lot of criticism out there from people
complaining that Littlefinger in the show is too plainly villainous, but to you
I say: you haven’t been paying attention. Littlefinger was always like that. He
isn’t when anyone of importance can see. Remember the scenes in the show around
Cersei, or in the Small Council? Always the lickspittle. But when he’s alone –
that means, with his nemesis Varys – he has a no-bullshit approach. Varys
already knows what Littlefinger is, so no need for concealment. This is purely
egocentrism at work.
For Sansa, the whole episode was
pretty much a kick in the guts. Tyrion broke her the news (with some eerily
appropriate inappropriate humor directed at Shae), and we see Sansa looking at
the literal ship sailing away, proudly displaying the mockingbird. Oh, the
irony, the imagery! Great stuff. Really great stuff. I loved the episode, and I
can’t wait for next week.
I'm glad someone liked this besides me.
ReplyDeleteLittlefinger you mean?
DeleteI have come to really enjoy your articles on the show, because I am human I don't always agree with every thing, but I love that even your criticism of the show is done without all the hysterics of say Elio and Linda of westeros.org. Great work and keep it up and if English is not your first language nobody would know by how you write, thanks again for your insightful work.
ReplyDeleteThanks!
Delete