More dubious references in fanservice! Did
anyone prick one’s ears when Shireen mentioned that A-E-G almost sounds like
egg? Man, I want HBO to do a hedge-knight-spinoff! Erm, back to topic. This
episode, while containing some major high-points, felt like a setup episode for
me again. There were many things happening that weren’t really thing happening
but seemed to point out to future big events, and it’s becoming increasingly
clear which these will be: wedding, wedding and wedding. Noticing a pattern
there?
I don't get the reference, have to check Nerdstream. |
Since Theon’s also been omitted from this
episode as well as Bran, we leave the North quickly enough. There’s nothing
really happened there beside Jon fucking Ygritte anyway, but that was necessary
for later developments, obviously (setup, I mentioned it).
In the Riverlands, shit finally hits the fan.
Robb is apparently experiencing some real trouble: Rickard Karstark finally
took his “vengeance”, killing the Lannister boys (a scene that was really well
staged - there can be no doubt that it
was child murder) and needs to answer for it. The exchange with Robb is well
done, although I somehow missed the “you didn’t kill boys, you killed my honor”
line from Robb. Edmure gets another line to prove himself a spineless
lickspittle, unfortunately, and the Blackfish simply says nothing and hits
Karstark in the face to prove he’s loyal to Robb. Although not really true, the
statement that Karstark’s forces made up “half the army” helps to put some
weight behind the following scenes and really make this a conflict. If you
think about it, it really doesn’t make much sense – we saw at least two other
bannermen, the Greatjon and Bolton, and they joined the Riverrun forces, so
Robb’s own troops would be ridiculously small – but for the narrative, it works
well.
The following conflict is well staged. Robb
dismisses all pragmatic ideas, especially of poor Edmure, and decides to
execute Karstark himself. It’s interesting, by the way, that he lets the others
hang. It’s in the books, too, of course, but when I watched the scene with my
wife she cried out that he needed to kill them himself because it’s the old
way. It never occurred to me before, but Robb seems to reserve the honor of
death by his hand for the lord. The execution scene mirrored the one Theon
botched in season 2, rain and score both. After, we find Robb making plans with
Talisa. In yet another seemingly random move, he decides to attack Casterly
Rock. It seems to me that this decision is yet another product of the missing
feeling for time and space that plagues the whole Robb storyline. Why didn’t
Robb attack Casterly Rock before when he was at Oxcross if he thinks it’s
possible? The whole moment was staged like a brilliant notion, but really, it
isn’t. I didn’t get why they couldn’t do it before. We also never learned that
he didn’t have Frey forces to do it (although it makes sense of course,
marrying Talisa and all), so the whole thing seemed rather forced to me. Well,
there we go for wedding number one.
Leaving Robb, we meet Jaime and Brienne again
who finally arrived at Harrenhal where Locke delivers the Vargo-Hoat-routine to
Bolton, who acts a bit disgusted and dismisses Locke, but seems a bit
indecisive about the matter. Book readers know why, but it’s clear that
something is off. Roose, being a sadistic bastard, plays with Jaime a bit
before giving him over to Qyburn for mending the stump. The scene is well done,
and Qyburn displays some real sadism as well just with his eyes. Well acted.
Plus, we get one of these classic Jaime lines – “I scream loudly.” The high
point for Nikolaj Coster-Waldau comes in the character defining moment that is
Jaime’s bath with Brienne. Really, it totally alters Jaime. We bookreaders knew
this, of course, and our sentiment of Jaime was always influenced by it (you
can’t make yourself forget this), but Coster-Waldau really pulled the scene
off. Jaime’s monologue about Aerys was beautifully acted, and he put all the
disgust about the Westerosi honor system in it, especially about Ned Stark. His
hatred for Stark made the two scenes he had with him in season 1 all the
stronger in hindsight. Great payoff, again.
From Jaime, we move on to Arya. In the cave
command center of the Brotherhood without Banners, the Hound faces judgment.
Lord Berric ignites the sword with his own blood, which makes for a huge
WTF-moment for Arya and the Hound both, and I loved the knowing smile Thoros
displayed. The fight itself is pretty well staged, and I especially liked the
ignition of the Hound’s shield and how the fire spread to his arm. It was really
well played by Rory McCann how Sandor feared the fire; you could see it in his
eyes all the time. I was a bit put off by Beric’s fighting style, though – his
whirling of the sword, 360 degree turns
into Sandor and stuff like that were all well and good to set him up as a
badass sword fighter, but if you’d actually fight like this against a seasoned
swordsman, you would be pretty dead. Watch Sandor simply wait for Beric’s blade
when he does one of his turns – he could slay him twice and stab him thrice at
the time. Believe me, if you start swordfighting, not doing shit like that is
one of the first things you learn. But anyway, that’s just a bit of me being
niggardly, so don’t listen to it.
Noooooooooooooo! |
Maisie Williams provided some other real acting
gold in these scenes, from her emotional cries of “kill him” to the despair
when the Brotherhood let Sandor go, to the even greater despair when Gendry
decided to stay with the Brotherhood (still waiting for Melisandre to show up).
Her plead for him to stay with her, for allowing her to be his family, and his
short and hitting statement that she would always be “my lady” was mirrored on
the expressions on her face all the time. Really, really great stuff there. Oh,
Arya, you’ve seen nothing yet.
With that, we’re off to King’s Landing. The
Queen of Thorns meets up with Tyrion Lannister for the first time and rips him
a new one. I guess the anticipation was that now two masters of the political
game get to exchange clever words, but instead Tyrion has just to get a scolding
and a lecture by Olenna, who doesn’t even let him answer and even bullies poor
Podd around for some figs for no good reason. You’re not as good in this game
as you think, Tyrion, and Olenna simply uses instruments you can’t use. She
cultivated the old crone pose to perfection, much like Violet Crawley in
“Downton Abbey”, and can go away with almost anything because you can’t very
well challenge a crone to a duel or let her be killed by your kingsguard. I
guess Cersei lies awake every night thinking how she could kill her. I’m really
looking forward to season 4 with this stuff.
Sansa again gets her hopes up when Margaery
promises her the marriage with Loras Tyrell (a useful departure from the books
that omits the other Tyrell siblings, which would have been needlessly
confusing given that they don’t need to appear on-screen anyway). They also put
much more responsibility for this plot on Margaerys’s shoulders, which is
always a good thing.
And then, finally, we get a Littlefinger scene
that shows us why everyone goes in fear of him. It was well overdue.
Littlefinger had become a lame joke by that moment, much like Jon, because both
are in need of others telling the audience how awesome they’re supposed to be.
But finally, Littlefinger at least delivers. Cersei wants information about the
Tyrell conspiracy, and Littlefinger uses a spy he has already planted with
Loras Tyrell to devastating effect. Also nice how Cersei uses the information
in the next scene. But the best thing about the Littlefinger plot this episode
was his scene with Sansa, where he ever-so-carefully probes whether there’s
something in the bushes and acts accordingly. Oh, you’re a devious little shit,
and finally, the stuff the screenwriters give to Aidan Gillen delivers on that
premise.
Selling hopes and dreams, cheaper by the dozen. |
The last scene in King’s Landing between
Cersei, Tyrion and Tywin is also pure acting gold. The three of them do a great
job in portraying the Lannister family (and Jaime too, of course, but he’s in
Harrenhal now). When Tywin tries to marry them both off, they try to avoid this
fate, but both of them have very different reasons and the actors manage to
display these perfectly. You can see Tyrion’s loathing for Tywin for breaking
up his happy marriage with Tysha, and his spitted “I WAS married” tells all you
need to know. Cersei, on the other hand, clearly shows the disdain for her
first marriage with Robert, an experience she doesn’t want to repeat, under no
circumstances. Both are oppressed by their almighty father, and both are
clearly not happy with it. The looks on their faces don’t bode well for the
future, that’s for sure.
And with that, we’re back with Dany. She only
gets a small scene that introduces us to more High Valyrian (great job by the
linguistics coach) and Grey Worm, the new commander of the Unsullied. I’m
interested to see how they will develop him as a character. More important in
this setting is the banter between Barristan and Jorah. They both don’t trust
each other, and we get yet another example of the writer’s handling of
consequence: Barristan was no member of the Small Council in the show, so he
can’t unmask Jorah as a spy as he did in the books. Jorah, aware of the
possible danger, probes Barristan in that direction. If Jorah is betrayed by
somebody in the show, it won’t be Barristan. Excitement for book-readers, I
like it!
I'm Grey Worm. You're dead. |
Nothing on Selyse's creepshow? Hit me out of the blue.
ReplyDeleteyea! what was that about the fetuses in a pickle?? one was even named Edric.. a wink for book readers I guess..
ReplyDeleteI totally forget about that, my bad. I'll try to insert it later.
DeleteI included it in this week's review, so watch out for it.
Delete