The Nerdstream Era
Tuesday, August 2, 2022
Rewatching "The Americans", season 6
Thursday, July 14, 2022
Channingography, part 4 - Jupiter Ascending (2015)
"Jupiter Ascending" is a sad story. Not because of the plot. That one is decidedly dark at its core, but the actual events unfolding are more or less lighthearted action. No, it's a sad story because of what happened. It's a big budget Sci-Fi movie by the Wachowski sisters, unrelated to any existing IP and based solely on their crazyly imaginary minds. Unfortunately, it's not good, and that's a shame. As a mini-tragedy inside this bigger waste, it stars Channing Tatum in its leading role (alongside Mila Kunis), and I'm not quite certain his career survived this hit. If Jupiter Ascending had been a smash, maybe Tatum's career would have profited as well. Who knows?
Wednesday, June 22, 2022
Rewatching "The Americans", season 5
Things have been going slower, but I since I received a diagnosis for Long Covid in the meantime, I guess "The Americans" for me will therefore be forever linked to the global pandemic. Cheery times! But oddly fitting, given the material. I now finished the fifth season, and with only one to go, let's take a look back at what was what.
Tuesday, June 14, 2022
Channingography, part 3: Step Up (2006)
After four movies that turned out way, way better than I expected, would Channing Tatum's filmography hold for the one that actually provided his breakthrough as a leading man and spawned a franchise that rivals the "Fast&Furious" series for longevity? Let's do the short version: no, the movie is shit.
My stance on various ASOIAF conspiracy theories, Part 26
Review: George R. R. Martin - The Rogue Prince
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The only picture of the Princess and the Rogue Prince I could find. |
The problem with biopics
I recently watched "Darkest Hour", the biopic about Winston Churchill in May 1940. I'm usually not a fan of biopics, which are oscar-bait at best and boring distortions at worst. "Darkest Hour" begins really strong, but it falters in the last third, falling victim to the problems it shares with many other biopics.
Friday, May 20, 2022
Rewatching "The Americans", season 4
Sunday, May 8, 2022
Rewatching "The Americans": Season 3
Because of my Covid-induced torpor, I was not able to do much but lay back on the couch and binge stuff. There was nothing of interest on, and I had toyed with the idea of rewatching "The Americans" anyhow, so off I went and watched three seasons in five days. Hooray for Covid. I want to talk about the experience, but it comes with a spoiler warning.
Thursday, April 21, 2022
Rewatching "The Americans": Season 2
Because of my Covid-induced torpor, I was not able to do much but lay back on the couch and binge stuff. There was nothing of interest on, and I had toyed with the idea of rewatching "The Americans" anyhow, so off I went and watched three seasons in five days. Hooray for Covid. I want to talk about the experience, but it comes with a spoiler warning.
Tuesday, April 5, 2022
Rewatching "The Americans": Season 1
Because of my Covid-induced torpor, I was not able to do much but lay back on the couch and binge stuff. There was nothing of interest on, and I had toyed with the idea of rewatching "The Americans" anyhow, so off I went and watched three seasons in five days. Hooray for Covid. I want to talk about the experience, but it comes with a spoiler warning.
Thursday, March 10, 2022
Yellowjackets is writing dubious narrative cheques
There was some mild buzz surrounding the Showtime series "Yellowjackets" that was sufficient for the network to immediately order a second season, expected to hit by the end of the year. The series, following the two timelines of a female soccer team crashing in the Canadian wilderness in 1996 and the survivors of same crash in 2021, received critical and audience acclaim for its mix of horror, mystery and survival thriller.
Tuesday, March 1, 2022
Three hoorays for imperialism!
Saturday, February 26, 2022
They don’t make them like that anymore
For the first time ever, I watched “Born on the Fourth of July”, the 1989 feature by Oliver Stone. Tom Cruise is playing Vietnam veteran Ronnie Kovic, who got paralyzed after taking a wound in battle and was traumatized before by killing civilians and a friendly-fire-incident. If you’re interested in my assessment on the quality of the movie – it’s pretty good and still watchable, mostly thanks to Cruise, who proves his dramatic qualities here (it’s so weird he turned to action movies late in his career after starting out as a drama actor). So if you’re interested in the subject matter and can cope with the somewhat unusual structure (getting there), then by all means, give this classic a go.
Friday, February 18, 2022
Book report: A Feast for Crows
In the reviews of the previous three books I repeatedly mentioned, that while they are intricately and expertly plotted, the literary quality of the series performs a leap with the next two books, which together form the "Feastdance". We can see this quite clearly with "A Feast for Crows", which, when it was released in 2005, created some consternation. After the flurry of endings and payoffs that was "A Storm of Swords", this book seemed like a letdown to many, not following up on the breathless quality of its predecessor. That is understandable, as it began its inception as a written-out version of the ill-fated five-year-gap.
Tuesday, February 8, 2022
Book report: A Storm of Swords
Continuing my reread, I've now finished "A Storm of Swords", and once again, I won't assume you need any kind of synopsis and quickly delve into the analysis. In the first book, my main theme was early installement weirdness, and in the second book, I focused on the expanding scope of the story and the developing of some themes. "A Storm of Swords" continues along these lines, but the two major aspects I want to discuss is the flurry of endings and what they're purpose is, namely setting up the five-year gap.
Tuesday, January 18, 2022
Book report: "A Clash of Kings"
Saturday, December 25, 2021
Season 8 Episode 6 “The Iron Throne” review – A Feast of Conclusions?
Valarr morghulis. Everything needs to come to an end, and so does the greatest series of all time, the popcultural phenomenon to end all popcultural phenomena. Unlike the preceding episodes, this one isn’t exactly subtle or multi-layered about what characters are doing and why they’re doing it; nor does it need to be. Everyone is stating their motivations clearly. Every ambiguity left is deliberate. It’s always thus with endings. We know that Samwise is happy in the Shire. We don’t know whether Frodo will be in Valinor. And so we know that Samwell Tarly has the right job and becomes happy in it. We don’t know whether Arya will ever succeed. And that’s just how it’s meant to be.
Season 8 Episode 5 “The Bells” review – A coinflip
Sometimes, everything comes down to a choice. Sometimes, everything comes down to the flip of a coin. As the popular saying goes, each time a Targaryen is born, the gods toss a coin, and the world holds its breath. As Varys says, he’s quite unsure on what side Dany’s will land. From there on out, one metaphysical question, old as human deliberation itself, hovers over everything: Do we possess free will?
Season 8 Episode 4 “The Last of the Starks” review – Castle of Glass
Last week, I wrote that it was so hard to assess the impact of the larger plot and themes as long as the show hasn’t finished the story yet, and the same still holds true today. For this reason, I’ll start with a disclaimer: I will try to call out the themes and larger developments as I see them unfolding right now, in the clear possibility that some red herrings will lead me astray. So I’ll not judge next week’s episode on the basis of whether it delivered on my readings of this one, as I hope my readers will not judge this review on the clairvoyance of its predictions.